The present essay aims to shed light on three sonnets by the Florentine poet Ventura Monachi as amongst the earliest examples of the reception of Petrarch’s Rvf 23. After suggesting a date for the sonnets, the author elucidates the manners of the formal imitation of the model and proves that Ventura is among the first poets who adapted Petrarch’s new “Laura-lauro” poetic system. Furthermore, the author thinks of inserting the three sonnets into a “mini collection” within which Ventura places and celebrates Petrarch among the models of the lyric tradition.
Eine Episode der frühesten Rezeption der Metamorphosen-Kanzone (Rvf 23)
Vatteroni S. M.
2015-01-01
Abstract
The present essay aims to shed light on three sonnets by the Florentine poet Ventura Monachi as amongst the earliest examples of the reception of Petrarch’s Rvf 23. After suggesting a date for the sonnets, the author elucidates the manners of the formal imitation of the model and proves that Ventura is among the first poets who adapted Petrarch’s new “Laura-lauro” poetic system. Furthermore, the author thinks of inserting the three sonnets into a “mini collection” within which Ventura places and celebrates Petrarch among the models of the lyric tradition.File in questo prodotto:
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